- BOOKS AND MONOGRAPHS
(2026) A.1 Lewit, Ido. From Doors to Screens: Cinematic Incorporations of Technology. SUNY Press. .
EDITORIAL WORK
Lewit, Ido (with Shai Biderman). Mediamorphosis: Kafka and the Moving Image. London: Wallflower Press, 2016.
Lewit, Ido. “Dr. Mabuse Today: The Centennial of Fritz Lang’s Dr. Mabuse, the Gambler.” Screen 64.1 (2023): 82-124 (dossier section).
Lewit, Ido (with Brigitte Peucker). New Approaches to Ernst Lubitsch: A Light Touch. Amsterdam: Amsterdam University Press, 2024.
B. ORIGINAL ARTICLES
B.1. Lewit, Ido. “The Kafkaesque Cinematic Language of the Coen Brothers’ A Serious Man.” Journal of the Kafka Society of America 33-34 (2009-2010): 29-38. 2 Citations.
B.2. Lewit, Ido. “Orson Welles’s The Trial and The Problem of Interpretation after the Holocaust.” Journal of the Kafka Society of America 37-38 (2013-2014): 115-126. 2 Citations.
B.3. Lewit, Ido (with Shai Biderman). “TV’s Fargo and the Philosophy of the Coen Brothers.” Film and Philosophy 21 (2017): 17-30. 1 Citation.
B.4. Lewit, Ido. “Traces in the Snow: Fargo, between the Wasteland and the Home.” Fireflies: Journal of Film and Television 01: Cities, Spaces, Journeys, eds. Anat Zanger and Nir Ferber (2018): 150-163.
B.5. Lewit, Ido. “‘He Couldn’t Tell the Difference between The Merry Widow and Tristan and Isolde’: Kafka’s Anti-Wagnerian Philosophy of Music.” The Polish Journal of Aesthetics 53.2 (2019): 109-123. DOI: 10.19205/53.19.6. 2 Citations.
B.6. Lewit, Ido. “The Coroner and the Real: Death, Media, and ‘Deep Truth’ in Werner Herzog’s The Enigma of Kaspar Hauser and Grizzly Man,” JCMS: Journal of Cinema and Media Studies 61.3 (Spring 2022): 82–106. Doi:10.1353/cj.2022.0025. IF 0.41; Q1.
B.7. Lewit, Ido. “The Tableau Vivant and the Intermedial Clash: Temporality and Power- Dynamics in Fassbinder’s Fontane Effi Briest.” Literature/ Film Quarterly 50.1 (Winter 2022); ISSN 2573-7597. IF 0.00; Q3.
B.8. Lewit, Ido. “Rethinking Inside and Outside: The Door in Ernst Lubitsch’s When I Was Dead (1916) and Charlie Chaplin’s The Adventurer (1917),” Film-Philosophy 27.1 (2023): 79-97. DOI: 10.3366/film.2023.0218. 7 Citations; IF 0.32; Q1.
B.9. Lewit, Ido. “Dr. Mabuse Today: The Centennial of Fritz Lang’s Dr. Mabuse, the Gambler. Introduction.” Screen 64.1 (2023): 82-86. IF 0.30; Q2.
C. CHAPTERS IN BOOKS
Published
C.1. Lewit, Ido (with Shai Biderman). “Introduction.” In Mediamorphosis: Kafka and the Moving Image, ed. Shai Biderman and Ido Lewit. London: Wallflower Press, 2016, 1- 25.
C.2. Lewit, Ido. “‘This is not Nothing’: Viewing the Coen Brothers through the Lens of Kafka.” In Mediamorphosis: Kafka and the Moving Image, eds. Shai Biderman and Ido Lewit. London & New York: Wallflower Press/ Columbia University Press, 2016, 258-278.
C.3. Lewit, Ido. “‘When the Still Image Projected on the Screen Bursts into Movement’: Cinematic Space-Time in Kafka’s ‘A Country Doctor’.” In Kafka after Kafka: Dialogical Engagements with His Works from the Holocaust to Postmodernism, eds. Iris Bruce and Mark Gelber. Rochester, NY: Camden House, 2019, 155-170.
C.4. Lewit, Ido (with Shai Biderman and Ronen Gil). “Life in the Black Lodge: The Twin Challenge of Watching Twin Peaks,” in The Politics of Twin Peaks, eds. Amanda DiPaolo and Jamie Gillies. London: Lexington Books, 2019, 177-192.
C.5. Lewit, Ido. “Regulating the Gaze and the Voice for a Cinema in Transition: The Merry Jail and So This Is Paris.” In New Approaches to Ernst Lubitsch: A Light Touch, eds. Brigitte Peucker and Ido Lewit. Amsterdam: Amsterdam University Press, 2024, 179- 194.
C.6. Lewit, Ido (with Brigitte Peucker). “Introduction.” In New Approaches to Ernst Lubitsch: A Light Touch, eds. Brigitte Peucker and Ido Lewit. Amsterdam: Amsterdam University Press, 2024, 13-30.
G. OTHER PUBLICATIONS
G.1. Lewit, Ido. “The Curious Humanist: Siegfried Kracauer in America by Johannes von Moltke.” Film Quarterly 70.4 (2017): 131-133. 2 Citations. Impact Factor 0.31; Q1. (Book Review)