BOOK
Gender, Piety and Production in Fourteenth-Century English Apocalypse Manuscripts (New York: Ashgate/Routledge, 2016).
IN PROGRESS
Illuminating Meditations: Image and Practice in the Oxford Meditationes Vitae Christi (working title)
TEXTBOOK UNIT
Art and Faith: Literary Sources for Christian Art, unit 7 for the Introduction to Medieval Art in Europe and Byzantium (Ra’anana: The Open University of Israel, 2020)
EDITED VOLUMES
Between Jerusalem and Europe: Essays in Honour of Bianca Kühnel, co-edited with Hanna Vorholt (Leiden: Brill, 2015).
Natural Materials of the Holy Land and the Visual Translation of Place, 500–1500, co-edited with Bianca Kühnel and Neta Bodner (New York: Ashgate/Routledge, 2017).
JOURNAL ARTICLES
“Text, Textile, Blood: Mary under the Cross in Oxford Corpus Christi College, MS 410.” Studies in Iconography 41 (2020): 131–164.
“The Stone of Sansepolcro: Relic, Image, and the Resurrection of Jerusalem in Tuscany.” Codex Aquilarensis 35 (2019): 291–304.
“Piero’s Faces: Artist and Image Making in Pierro Della Francesca’s Resurrection of Christ.” Source: Notes in The History of Art 39.1 (2019): 25–35.
“Relics of Place: Stone Fragments of the Holy Sepulchre in Eleventh-Century France.” Journal of Medieval History 44.4 (2018): 406–421.
“Un Saint-Sépulcre à Beaulieu-lès-Loches.” Cahiers de Civilisation Médiévale 61 (2018): 217–228.
“Repetition, Opposition and Invention in an Illuminated Meditationes Vitae Christi.” Gesta 53.2 (2014): 155–174.
“Bridal Mysticism and Eucharistic Devotion: The Marriage of the Lamb in an Illustrated Apocalypse from Fourteenth-Century England.” Viator 42.1 (2011): 227–246.
“The Pepys Apocalypse (Cambridge, Magdalene College, Ms Pepys 1803) and the Readership of Religious Women.” Journal of Medieval History 37.4 (2011): 1–20.
“The Illuminator of Bodleian Library MS. Selden Supra 38 and his Working Methods.” In Du scriptorium à l'atelier: copistes et artisans dans la conception du livre manuscrit au Moyen Age, ed. Jean-Luc Deuffic Deuffic, special issue of Pecia: ressources en médiévistique 13 (2010): 387–404.
“A Note on Bodleian Library MS. Selden Supra 38, Jehan Raynsford and Johanna de Bishopsdon.” Bodleian Library Record 19.2 (2006): 239–244
CHAPTERS
“Reading the Meditationes on the 'Mount of Light',” In The Meditationes Vitae Christi Reconsidered: New Perspectives on Text and Image, eds. Holly Flora and Peter Toth (Brepols, submitted)
“Lost and Found in the Medietationes Vitae Christi.” In Illuminating the Middle Ages: Tributes to Prof. John Lowden, eds. Laura Cleaver, Alixe Bovey, and Lucy Donkin (Leiden: Brill, 2020), 291–308.
[with Neta Bodner and Bianca Kühnel], “Natural Materials, Place and Representation.” Natural Materials of the Holy Land and the Visual Translation of Place, 500–1500 (New York: Ashgate/Routledge, 2017).
[with Hanna Vorholt], “Introduction.” in Between Jerusalem and Europe, eds. Renana Bartal and Hanna Vorholt (Leiden: Brill, 2015), 1–12.
“Ducitur et Reducitur: Passion Devotion and Mental Motion in an Illuminated Meditationes Vitae Christi manuscript.” In Visual Constructs of Jerusalem, ed. Bianca Kühnel, Galit Noga-Banai, and Hanna Vorholt (Turnhout: Brepols, 2014), 369–380.
“‘And Behold a Door was Opened in Heaven’: Vision and Visual Strategies in Three Vernacular Apocalypses from Fourteenth-Century England.” In The Armenian Apocalyptic Tradition: A Comparative Perspective, ed. Sergio La Porta and Kevork Bardakjian (Leiden: Brill, 2014), 640–654.
SHORTER CONTRIBUTIONS AND BOOK REVIEWS
“Heavenly Visions and Constructed Devotion in Fourteenth-Century Vernacular Apocalypses.” Immediations 2.2 (2009): 143–146.
“The Douce Apocalypse.” In The Grove Encyclopedia of Medieval Art, ed. Colum Hourihane (Oxford: Oxford University Press, 2012), II, 320–321
“Gazing at Europe across the Mediterranean Sea: Medieval Art History in Tel Aviv.” ICMA Newsletter, Summer Issue (2019): 22–23.
“Review of Richard Emmerson Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts (Pennsylvania: Penn State University Press, 2018).” Peregrinations: Journal of Medieval Art and Architecture 7.1 (2019): 140–147.
“Review of Robin Griffith-Jones and Eric Fernie (eds.), Tomb and Temple: Re-imagining the Sacred Buildings of Jerusalem.” English Historical Review CXXXIV. 571 (2019): 1506–1507.