Books / Author
Sharon Aronson-Lehavi, Street Scenes: Late Medieval Acting and Performance, New York: Palgrave Macmillan, New Middle Ages Series, 2011.
Reviewed in: The Medieval Review Online 13.09.41; Journal of English and Germanic Philology 112:4 (2013): 538-539; Medieval and Renaissance Drama in England 26 (2013): 267-268; Speculum 88:1 (2013): 249-251; Marginalia (2012): 30-34; Hortulus: The Online Graduate Journal of Medieval Studies 7:1 (2011);
Sharon Aronson-Lehavi, Gender and Feminism in Modern Theatre, Raanana: Open University Academic Press, 2013; Hebrew.
Biblical Theatre in Israel: Identity and Otherness, The Israel Democracy Institute, 2016, Hebrew.
Books / Editor
Atay Citron, Sharon Aronson-Lehavi, and David Zerbib, Eds. + Introduction, Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century, London: Bloomsbury/Methuen, 2014.
Reviewed in: NTQ (New Theatre Quarterly) 31:1 (2015): 90-91; Platform 8:2 (2014): 88-92; theaterforschung.de 11.7.2014;
Sharon Aronson-Lehavi, Editor + Introduction, Wanderers and Other Israeli Plays, In Performance Series, Seagull Books / The University of Chicago Press, 2009.
Reviewed in: Israel Studies Review 27:1 (2012): 170-173.
Ruthie Abeliovich, Sharon Aronson-Lehavi, and Linda Ben-Zvi, eds. A Stage of Their Own: 7 Plays by American Feminists in Hebrew Translation, Tel Aviv University: Assaph Books, 2015 (Hebrew); the book includes Sharon Aronson-Lehavi's translation into Hebrew of Deb Margolin's Critical Mass and of Maria Irene Fornes's Mud (with Shlomi Lieberman); Hebrew
Sharon Aronson-Lehavi and Sefy Hendler, eds. Table Manners Catalogue, The Genia Schreiber University Art Gallery, 2019.
“Performance Texts and Recording Performance: Towards a Methodology of Multiplicity,” Routledge Handbook on Theatre and Performance Historiography. Eds. Tracy C. Davis and Peter W. Marx. New York: Routledge, forthcoming 2020.
“Sexuality and Gender,” A Cultural History of Medieval Theatre, Ed. Jody Enders, London: Bloomsbury, 2017, 59-76.
"Dialectical Aesthetics of Change and Continuity in the 2010 Oberammergau Passion Play," Oberammergau 2010, ed. Kevin J. Wetmore Jr., New York: McFarland, 2017, 53-74.
"Comedy and Farce in Late Medieval Theatre," Comedy, eds. Dan Urian and Leah Gilula, Raanana: Open University Academic Press, 2017, 209-236, Hebrew.
"Religious Theatre and the Potentiality of Live Art," Inter-Art Journey: Exploring the Common Grounds of the Arts, ed. Nurit Yaari, Toronto: Sussex Academic Press, 2015; 163-179.
"Re: Location," Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century, eds. Atay Citron, Sharon Aronson-Lehavi, David Zerbib, London: Bloomsbury/Methuen, 2014; 105-118.
"Introduction" (with Atay Citron and David Zerbib), Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century, eds. Atay Citron, Sharon Aronson-Lehavi, David Zerbib, London: Bloomsbury/Methuen, 2014; 1-16.
"The Excess of Violence in Hamlet," Hamlet Handbuch: Stoffe, Aneignungen, Deutungen, ed. Peter W. Marx, Stuttgart: J.B. Metzler Verlag, 2014; 72-76.
"Hamlet in Israel," Hamlet Handbuch: Stoffe, Aneignungen, Deutungen, ed. Peter W. Marx, Stuttgart: J.B. Metzler Verlag, 2014; 317-320.
"Transformations of Religious Performativity: Sacrificial Figures in Modern Experimental Theatre," Performance and Spirituality 3:1 (2012): 57-70.
"Raising the Cross: Pre-Textual Theatricality and the York Crucifixion Play," The York Mystery Plays: Performance in the City. Ed. Margaret Rogerson. York: York Medieval Press, 2011; 165-179.
"Word and Action in Israeli Performance," with Freddie Rokem, Contesting Performance: Global Sites of Research, Eds. Jon McKenzie, Heike Roms, and C. J. Wan-ling Wee, New York: Palgrave Macmillan, 2010; 222-235.
"Wholly Unholy: Religious Iconography in Israeli Art and Performance," with Nissim Gal, Performance Research 13:3 (2009): 154-162.
"'The End': Mythical Futures in Avant-Garde Mystery Plays," TRI – Theatre Research International 34:2 (2009): 116-123.
"Introduction," Wanderers and Other Israeli Plays. Ed. Sharon Aronson-Lehavi. New York: Seagull Books, 2009; xiii-xxxi (8-31).
Encyclopedia Entry: "Avant-Garde Drama: Israel-Palestine," in The Columbia Encyclopedia of Modern Drama. Eds. Gabrielle H. Cody and Evert Sprinchorn, New York: Columbia University Press, 2007; 94-97.
Encyclopedia Entry: "Rina Yerushalmi," Jewish Women: A Comprehensive Historical Encyclopedia, eds. Paula E. Hyman and Dalia Ofer (Jerusalem: Shalvi Publishing Ltd.) 2006.
"‘Their Whole Art is Sheer Humbug’: The Doctor’s Part in Wilson’s Art," Assaph: Studies in the Theatre 14 (1998): 79-86.
"‘Tout leur art est pure grimace’: Le personnage du médecin dans l’oevre de Wilson," Protée: théories et pratiques sémiotiques 27:1 (1999): 81-86.
Reviews and other essays
Performance Review of The Band's Visit (Broadway Musical), Theatre Journal, forthcoming 2020.
"'We Are Deeds You Left Undone': Peer Gynt's Sole Searching Directed by Rina Yerushalmi and An Interview with the Director," Teatron 39 (2015): 13-22 Hebrew.
Book Review of Gad Kaynar and Zahava Caspi, eds., Another View: Israeli Drama Revisited (Ben-Gurion University Press and Bialik Institute, 2012), Teatron 37 (2014): 116-120 Hebrew.
Book Review of Elaine Aston and Sue-Ellen Case, eds., Staging International Feminisms (Hampshire UK: Palgrave Macmillan, 2007), The European Legacy: Toward New Paradigms 15:2 (2010): 242.
Old Wives' Tales at Bamat Meitzag. Teatron 19 (2007): 38-44 Hebrew.
Book Review of Claire Sponsler, Ritual Imports: Performing Medieval Drama in America (Ithaca: Cornell University Press, 2004), Theatre Journal 58:2: 2006: 361-62.
"Is the Living Theatre still Alive?" Teatron 14 (2005): 21-23 Hebrew.
"Rina Yerushalmi: Between Fringe and Center," Teatron 14 (2005): 30-34 Hebrew.
Book Review of Eli Rozik, The Roots of Theatre: Rethinking Ritual and Other Theories of Origin (Iowa: University of Iowa Press, 2002), Gestos 37 (2004): 1-5.
Book Review of David Wallace, ed. The Cambridge History of Medieval English Literature (Cambridge: Cambridge University Press, 2001), Theatre Journal 56:2 (2004): 333-34.
"'The Situation': on the Installation 'Bodies' and on Teaching Political Theatre," Teatron 12 (2004): 45-47 Hebrew.
Book Review of Chris Humphrey, The Politics of Carnival: Festive Misrule in Medieval England, (Manchester: Manchester University Press, 2001), Theatre Survey 44:1 (2003): 161-62.
Performance Review of Jean Paul Sartre's No Exit at the Room Theatre, Directed by Avi Gibson-Barel, Tel Aviv 2002, Theatre Journal 55:1 (2003): 153-54.
"Biblical Sheep with a Worldview: the Drama of Yossefa Even-Shoshan," Teatron 11 (2003): 56-59 Hebrew.
"Iphigenia in New Balance: Deconstruction in Rina Yerushalmi's Mythos," with Roy Levy, Teatron 10 (2003): 16-19 Hebrew.
"The Rebels: Women's Acting in HaMordim," Teatron 2 (1999): 70-75 Hebrew.
"Clues to Contemporary Israel in the Bible according to Rina Yerushalmi," Teatron 1 (1998): 68-73 Hebrew.